The common issue underlying all works is everlasting circuits, not ending in a specific place or time, symbolizing the constant rhythm of life’s ups and downs in a kind of "carousel show".

In my own drawings and paintings, motifs that resemble wire or tree branches are not uncommon. All of this has fascinated me from childhood onward.

In ‘Textones’, the first two works, Holzapfel rolls up the Kabbalistic spheres/disciplines along with the texture of the landscape. In these pieces, he "folds" the metaphysic power of the Hebrew letters with the symbolism of the numbers, recalling the technique of Jewish sacred objects.

Order and Tidiness at the Dead Sea receive opposing meanings but also complete each other in this series of works.

An architectural model of the site is set on top of a table, leaving space for people to gather around it, as in an urban forum or piazza, creating tension between the public sphere of the place and the private sphere of its inhabitants.

The project titled “Slow, proceed with caution” is obsessed with the sounds of discarded information.